On a single-screen layout, it showcases all available tools and functionalities. The interface is one of LightShot’s most outstanding assets. If you want to reattempt the image capture, you can cancel out by hitting ‘Escape’ or just closing the window.
Click and drag the area you want in your screenshot, and it will open right into LighShot’s built-in editor. An instruction reading ‘select area’ then appears next to the cursor. This activates LightShot, and the screen will dim.
#Lightshot history Pc
It is through this cyclical process of hunger and disgust, and sex, desire, and production, in the social, political, and economic spheres that an Appalachian notion of the grotesque is formed.Recording the image on your PC screen is as simple as pressing the ‘Prt SC’ button. Through the literary positioning of the body as a site in which hunger and disgust interact/react, as well as the subsequent relationship between sex and desire as defining features of a productive, and reproductive body, southern gothic tropes are encapsulated and reimagined through a grotesque Appalachian lens.
#Lightshot history movie
that defines conceptions of the grotesque in contemporary media, such as more classic movies like 1972’s Deliverance, the tale of four ‘city boys’ from Atlanta during a bloody trip through the mountains, most famous for its “Dueling Banjos” scene, or more recent movies such as 2017’s Logan Lucky, a heist movie centered around two brothers’ plot to rob a NASCAR race in North Carolina, interacts with concepts of American masculinity and femininity through two prominent categories: hunger and disgust. The narrative of Appalachia, as white, poor, uneducated, barefoot, etc. By specifically looking at ideas of violence, whether economic, cultural, or physical, and theories of erasure through the lens of land distribution and acquisition in Appalachia and its effect on self and community identity built up in the anchoring texts, defining and cultivating an Appalachian grotesque allows for a quantifying of Appalachian persistence within a history of critical thought, for better or for worse, as a way of both critiquing and fortifying the identity of Appalachia. Through the lens of contemporary gothic readings of identity that come to form the grotesque, a framework for deconstructing notions of Appalachian fatalism begins to emerge. The scope of this project ranges from contemporary, such as the popular memoir Hillbilly Elegy (2016) and the record breaking podcast S-Town (2016), as well as Robert Gipe's debut novel, Trampoline (2015), and their historical counterparts: the 1967 documentary Holy Ghost People and the 1976 documentary Harlan County, U.S.A. This project explores clashes between national othering and local othering in Appalachian identity making as a tangible production of an Appalachian grotesque, a grotesque constructed through the subversion of the modern American gothic as a critical model for exploring Appalachian identity, particularly nationally othered and queered identities. As the romanticization of Appalachia as poor, packing, and white persists, the question becomes: how can Appalachian peoples access these negative images as tools of resistance, reformation, and community making? How does an American gothic find home in Appalachian narratives?
Vance's Hillbilly Elegy, and the dawning of "Trump's America" as a regional branding, Appalachia has once again found itself laid bare on the national stage.
#Lightshot history serial
With the success of podcasts like Serial and This American Life's S-Town, the calamity of J.D.